In Coralie Fargeat's brand-new feminist horror movie The Substance, unsafe social charm standards are actually the genuine monsters. They (women objectification, the disposal of "the outdated," the expansion of an industry improved body customization) supply a creature of a cycle that leads Demi Moore's fading television individuality character

I respect my lovers. How would I exist without having them? Usually people are nice to me, and when I am out with no make-up and things, and not prepared to be photographed, I just say: 'No.' This final results today inside of a thousand questions along with a thousand well mannered, concise responses, but every now and then a random pursuit

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